‘It is a rather unusual job. Some men like it and some men don’t. But I have a feeling you two are going to love it. I will give you a job descrip...tion in just a moment, but I tell you this though, if you accept, you will find the payment extremely generous’.Linda also told the two young men that secrecy and privacy was of the essence, and she asked them not to tell anyone about the job, in case they would accept it. She had a small black Armani shoulder bag with her, out of which she pulled a. "Is anyone home?" Just open the door." Kim shivered and shook the mud out of her heels. "Considering the weather, I'm sure whoever lives here will understand."As Tim reached for the doorknob, it creaked opened on its own. They stepped inside to see a mannequin appearing before them between lighting flashes. Startled, they looked around to see the weirdest furniture they had ever seen. A grandfather clock with a human face with clock hands sticking out of the nose, tables with human-shaped. So much for his newfound manhood and protecting Candy from his father.Evan rolled on his back, and Candy turned on her side, looking down at him. "Want a pillow?" He shook his head. Candy said, "Thank you for letting me hold you that way. I like being your mother, too. Sometimes I need that." Mmhmm." It felt like an utter defeat."I still need you," Candy said and put her hand on his chest. "Just because we can't be together, doesn't mean I don't still want you and need you that way, like a man. If you don't intend romance or sexual acts, base this on the primary character interactions the protagonist engages in. If even this does not apply, just write that your story has no applicable interpersonal relationships.]Perspective: [Does the story focus on the experiences of the Victim (girl being BE'd), Perpetrator (the one causing the BE), or a Bystander (someone witnessing the BE or interacting with the girl being BE'd, but not causing it)? Note that this is mostly about whoever's.